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Seated Man with Pole - Chalk drawing

Seated Man with Pole - Chalk drawing
Artist:
Matthew Taylor
Medium:
Conte Crayon on manila paper
Date:
29 August 2001
Creation time:
1 minute

Comments by the artist

Just a quick 1 minute sketch that I liked.

See a larger version of Seated Man with Pole (1 minute life drawing) on my new website.

39 Artworks on the male form

Click the thumbnail images below to view the full size Artwork of the male form:

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  • Three men in red pencil - Coloured pencil drawing
  • 3 men from my sketchbook - Graphite pencil drawing
  • Man with white beard - Graphite pencil drawing
  • Man on tall stool - Charcoal drawing
  • Man seated with hands on stool - Charcoal drawing
  • Man leaning on block - Charcoal drawing
  • Gaara of the desert - Watercolour painting
  • Man with hand on head - Charcoal drawing
  • Man on ground - Charcoal drawing
  • Man sitting face on - Charcoal drawing
  • Man crouched holding leg - Charcoal drawing
  • Man standing up straight - Charcoal drawing
  • Torso muscle study - Charcoal drawing
  • Man sitting with crossed legs - Charcoal drawing
  • Sitting man's side - Charcoal drawing
  • Crouching man's back - Charcoal drawing
  • Man in red chalk - Chalk drawing
  • Old man - Chalk drawing
  • Male Portrait - Charcoal drawing
  • Muscle Study - Charcoal drawing
  • My foot - Graphite pencil drawing
  • Seated man in burgundy - Charcoal drawing
  • David look-a-like - Charcoal drawing
  • Side lit man - Charcoal drawing
  • Man's profile - Charcoal drawing
  • Seated Man - Charcoal drawing
  • Self Portrait - Charcoal drawing
  • Man leaning back - Charcoal drawing
  • Standing man 2 - Graphite pencil drawing
  • Standing man - Coloured pencil drawing
  • Three Men - Mixed media drawing
  • Man's Chest - Chalk drawing
  • Three men (detail) - Graphite pencil drawing
  • Seated Man with Pole - Chalk drawing
  • Man Seated on Block 2 - Graphite pencil drawing
  • Man Seated on Block - Chalk drawing

Prev - Page 1 of 2 -

Random art quote

'Color is crucial in painting, but it is very hard to talk about. There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you're trying to make.' - Roy Lichtenstein